An important element to Miss Havishams character is that of the fairy godmother imagery. Although this is not specified directly within the novel it is a prominent interpretation for previous adaptations, including that of Helena Bonham Carter and the use of dramatic styling for the 2012 version which played heavily on the magical theme. These below images are taken from 'Lady Grey' by Stella Tennant for Italian Vogue and clearly present that fairy tale imagery associated with Miss Havisham. What I like most about these images is the fact that they have that essence of gothic decay about them and yet remain youthful and magical. This first image has a dramatic Georgian feel to the styling, in particular of the hair and dress which is heavily curled and styled into a tall structure. This however is most likely a wig but would work in co-ordination with that Georgian influence. Realistically Miss Havisham would have been a late 18th century bride and therefore her styling would be somewhat similar to this with the elaborately folded dress and orante hair. Although there is not direct connection that states that these images are connected to the infamous character of Miss Havisham, the styling makes is very apparent especially with the decayed house. One feature that I like most about this image (besides the costuming) is that of the makeup which is very youthful and simple, clearly associated with the early Victorian fashions however that sense of sadness is created through the hollowing of the eye sockets and washed out complexion. Although this styling is very much adapted for fashion with a few tweaks it could easily translate onto stage or film as the costuming and hair is dramatic enough to fulfil the character requirements.
The second image is far more elaborate but again could easily translate into theatre or film as a more alternative version of Miss Havisham. What I love most about this image is definitely the costuming which truly embodies that 'fairy godmother essence' that other recreations such as that Helena Bonham Carter's played so heavily upon. Obviously the makeup for this is not exactly appropriate to an accurate recreation of Miss Havisham, however her facial features are never fully described within the novel therefore its an element that is very open to artistic interpretation if the situation allows. The extent of the effects of her jilting are unknown and therefore it could have fully transformed her. I feel however that this image is much more an embodiment of the mental characteristics of Miss Havisham rather than an obvious, more straightforward costume.
That being said I do not feel like the second version would be entirely inaccurate to create for theatre especially with delicate elements such as the wings and tutu style of dress. Features like blue makeup however would be not necessarily appropriate for an audience that did not fully understand the novel and were not open to artistic and critical interoperation. One element that I shall definitely take away from these images is that of the subtle hints to another element e.g. fairy godmother and the retainment of a youthful face despite a decayed bridal attire and backdrop. It demonstrates how subtle tweaks can truly develop the character that you are trying to portray and that simply following the previous versions is not necessarily the best technique for producing a fully rounded character costuming.
Image Ref: http://agnautacouture.com/?attachment_id=6555
Image Ref: https://multiplefashiondisorder.wordpress.com/2011/05/18/lady-grey/stella-tennant-imogen-morris-clarke-by-tim-walker-for-vogue-italy-march-2010-lady-grey-10/
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